“Do you even know who you are?”
– The Major
I’ve honestly never been a huge anime fan, but I’ve loved Ghost in the Shell since I first saw it in the 90’s. First of all, it’s one of the most beautiful anime films out there. The meditative city montages alone are worth the price of admission.
But it’s also one of the most philosophically profound movies out there, anime or otherwise. It gets deep from the first moments. The intro tells us, “the advance of computerization … has not yet wiped out nations and ethnic groups” (Is there a reason to think it will?). There’s also the issue of all those lingering shots of the Major’s body: What’s the line between a problematic male gaze and artistic statements about corporality?
But the deepest issue of all is personal identity. Consider the Major’s post-scuba diving soliloquy.
“There are countless ingredients that make up the human body and mind like all the components that make up me as an individual with my own personality. Sure, I have a face and voice to distinguish myself from others. But my thoughts and memories are unique only to me. And I carry a sense of my own destiny. Each of those things are just a small part of it. I collect information to use in my own way. All of that blends to create a mixture that forms me and gives rise to my conscience. I feel confined, only free to expand myself within boundaries.”Like anime science fiction more generally, Ghost in the Shell combines modern, computerized themes with ancient philosophical roots. The personal identity questions in the film are asked with the accent of modern computer technology but the deeper grammar is that of Buddhist philosophy.