I've been reading more dystopian stuff than usual lately, not just in the news, but because I'm currently teaching a class on Utopias and Dystopias. I'm also teaching my Ancient Greek and Roman Philosophy class, and depending on who you ask, Plato's Republic is a utopia, dystopia, or both.
What's the point of utopias and dystopias? Utopias seem, well, utopian and unobtainable. And boring, but I think the "boring" label is more a result of lack of imagination than anything inherent to utopias. I think we'd still have plenty to keep us busy if everyone's basic needs were met--we could finally go about figuring out what this whole human experience is supposed to be. But I digress.
Dystopias are either never going to happen, or depending on where and when you look, have been or are already happening. Especially as I write this on Indigenous Peoples Day, I'm reminded of a comment from Indigenous creator Dale Deforest at a panel at Worldcon in August that a lot of Native Americans have been living in various states of dystopia for hundreds of years and still today (I'm hoping for a swift and effective response to a typhoon in Alaska that has affected mostly Indigenous people).
But I think the "could it happen?" question is the wrong question, or at least not the most interesting question to ask. (Not that this stopped me from asking this last week when I showed my students an episode of The Handmaid's Tale). Sure, dystopias might remind us that things could get worse, and utopias might remind us that we could do better, but I think they do something even deeper.
As Mary Midgley said in her essay "Practical Utopianism," utopias and dystopias show us possibilities, often quite exaggerated, of where we could go, roadmaps of roads we may never travel, all to change our sense of the terrain. And I'd like to think this type of story can also expand our sense of possibility as what Ursula Le Guin called "realists of a larger reality."
Exploring the terrain of dystopias and utopias helps us to explore what we think about ourselves, our societies, and more, to find the many utopias, dystopias, and somewheres in between.
Toward that end, here are my reviews of some of the terrain of utopias and dystopias that I've been exploring lately: Utopia by Thomas More, The Blazing World by Margaret Cavendish, We by Yevgeny Zamyatin, The Hunger Games by Susanne Collins, Divergent by Veronica Roth, and Authority by Jeff VanderMeer.
If you are ever stuck in a dystopia or an ambiguous utopia, dear reader, may the odds be ever in your favor!