| MLK Day Parade and March, Chattanooga, TN (Jan. 19, 2026) |
Since last year’s MLK Day post was called “Where Do We Go From Here?” I thought I’d continue alluding to King’s 1967 book by calling this one “Chaos or Community?”
| MLK Day Parade and March, Chattanooga, TN (Jan. 19, 2026) |
Since last year’s MLK Day post was called “Where Do We Go From Here?” I thought I’d continue alluding to King’s 1967 book by calling this one “Chaos or Community?”
I first read Clive Barker's The Great and Secret Show about 30 years ago. It always stuck with me. Not so much specific plot points or even all the major characters, but certain ideas, scenes, and turns of phrase. I'm glad I decided to read this again. I loved it every bit as much, if not more, than I did the first time.
Like much of Barker's work, this might properly be called dark fantasy rather than horror, per se, although there are plenty of horror elements.
It's also, as the introduction to this edition informs us, a result of Barker's engagements with philosophy. As an academic philosopher, I was amused by Barker's distain for "philosophical equations" encountered in university philosophy courses (a fair criticism of much of what we in the biz call analytic philosophy). Instead, Barker has been intrigued by Big Questions about belief, imagination, and mind--a point which makes a lot of sense of his work, especially when you combine it with some Lovecraftian sensibilities and Barker's own gnarly imagination.
And when it comes to The Great and Secret Show in particular, Barker tells us that Carl Jung was a major inspiration. The idea of a collective unconscious is too fertile for artists and storytellers like Barker to pass up, and I can see why, especially when Barker creates something as interesting as the concept of the dream-sea of Quiddity as his own riff on Jungian ideas.
But maybe I'm getting ahead of myself. What about the plot?
We meet a man named Jaffe who works in a dead letter office in Omaha, Nebraska in 1969. He begins reading letters about something called the Art, a secret, more real world beyond our own, and a sea of imagination and dreams called Quiddity. He embarks on a quest to control this other realm for himself (first step: murder his boss). This part of the novel goes a bit quickly, but somehow Barker makes it work as Jaffe goes from miserable postal employee to megalomaniacal murderer in a few dozen pages.
But the real story picks up a few years later in town of Palomo Grove, California. Jaffe and an antagonist of sorts called Fletcher become something more than human, and draw the town into their machinations, which result, in complicated Barker dark fantasy fashion, in the birth of several babies with both human and nonhuman fathers.
Okay, the story really picks up 18 years later with the babies now young adults. And Jaffe and Fletcher are still around, but also not exactly human.
Things get, um, complicated from there. But every twist and turn along the way is worth the journey. We meet a washed-up Hollywood comedian. A journalist and his friend named Tesla, both of whom become vital to the story later, as are some of those 18 year olds (Tesla in particular is an awesome character). There's also an ape-human hybrid, a wizard residing in a pocket dimension, and a character from other Barker stories who shows up briefly in this one and (if I remember correctly) much more in the sequel, Everville (which I also plan to re-read). And eventually there are horrors from beyond...
And yes, this is Clive Barker, so there's plenty of gnarly violence and kinky sex (and plenty of gnarly sex and kinky violence).
I don't know if I could summarize the whole plot here if I wanted to, which gets complicated and involves a lot of surprises, but my recommendation is to enjoy floating on the currents in Barker's dream-sea.
But what about Quiddity? It's a beautiful and deep idea. Definitely one I remembered for the last few decades. It's Barker's riff on Jungian ideas, with his own special touches. Particularly beautiful is the idea that all humans swim in the dream-seas of Quiddity three times in their lives: once at birth, once when they sleep next to the love of their life, and again before death. It's the source of love and life and creation for human beings (and not just human beings).
It's also dangerous, at least in the hands of those who want to control it rather than be shaped and invigorated by it. I love this way of thinking through the deep mystery of the human creative process: what are we doing when we create art and stories? How is creativity tied to love and hope and meaning? Are there worlds beyond that which we can see and hear and touch? Are those worlds more real than we know? How would we know?
Reading this again makes me wonder if Barker was one of the authors that made me think the kinds of thoughts that led me to study philosophy. I'm glad he turned away from academia and became, well, Clive Barker. But I'm also grateful that he's still enough of a philosopher to write beautiful, deep, and complicated works like The Great and Secret Show. Barker may also have explored a form of philosophical idealism somewhat similar to Kashmiri Shaivism in classical Indian philosophy (all is mind, and mind is a type of creativity).
Like Quiddity itself, however, The Great and Secret Show is vaster than I can summarize here. My advice: take the plunge for yourself.
Dear reader, the last month has been ... a lot. I lost two friends in October, and then there was the US election (I wrote about the election and Plato beforehand, and post-election thoughts may be coming soon). I admit I've had trouble finding the energy and time to do much with the blog lately (although I keep reminding myself that my tenth blog-aversary is coming next month!). Part of my blog-based reticence has been dealing with the aforementioned events. Some of it is that I've just been busy: there was Halloween, the election, and then in the last week, my Horror and Philosophy students had their film festival showcasing their short philosophical horror films (which were great!), and then the next day I went with a friend to Charlotte, NC to see Iron Maiden in concert for the first time since 2010 (see below for more on that experience!). One might say that I've been living a random life. Which of course calls for more random thoughts! And memes!
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| Credit: https://www.pinterest.com/pin/580823683164479108/ |
At first I wasn't sure what to think about Some Desperate Glory by Emily Tesh, then I started to really love it, then I lost the thread as the central science fictional premise never really made sense to me, and then it came back together toward the end with some interesting thoughts on fascism, gender, indoctrination, and war. This one is nominated for a Hugo this year, and I will be voting for that soon. So, what did I think?
John Scalzi's Starter Villain is a delight! Scalzi is as entertaining as ever. I love the cats and the dolphins.
Charlie is down on his luck when he discovers that his mysterious and recently deceased uncle left him a profitable parking ramp business. Or so he thinks. Turns out, as the dust jacket tells us, his uncle was actually a super villain, like something right out of James Bond (or really more Austin Powers). Hilarity and hijinks ensue with plenty of that patented Scalzi snark. I laughed out loud several times while reading this one.
Two points I wanted to discuss here: let's call them "evil is actually dumb" and "animals can talk, and boy, are they hilarious!"
Me: I’ve been thinking a lot about what’s happening in Israel/Palestine, but I’m not sure what to say. I haven’t been saying much about it.
Me 2: But who are you to say anything? You’re not Jewish or Muslim, Israeli or Palestinian? Why should anyone care what you think?
Me: I don’t know, honestly. Obviously, I relate to this issue differently and less personally than people more directly affected by it, or by the recent rise in antisemitism and Islamophobia here in the US. I guess maybe writing this is a way to figure out what I think? Maybe it could help others? Or they could tell me where I’m wrong?
It's time for another review of reviews! I'm still eagerly awaiting the announcement of this year's Hugo finalists so I can start this year's Hugo reading (although I'm taking a gamble by starting R. F. Kuang's Nebula-winning Babel, which is fantastic even if we improbably live in a universe where it won't be a Hugo finalist). While I'm waiting, I'm reading other books that are on my ever-increasing to-read list: The Regulators by Richard Bachman (aka, Stephen King), Schrödinger's City by Matthew Buscemi, and The Eye in the Pyramid by Robert Shea and Robert Anton Wilson. I guess the through-line here is that all three of these novels are pretty weird--and delightfully so. Just to mix it up, let's start with the one I finished last: The Eye in the Pyramid!
I don't always care about the Oscars. I don't even watch the ceremony every year. But this year I happened to notice that I had seen a few of the nominees for Best Picture already, so I figured: why not watch them all? So I did! And here's what I thought about all of them in a series of mini-reviews!
Overall I have to say I was pretty impressed with this year's crop of Oscar nominees. I found something to like about all of them, and some of them I thought were really good. One film stands far and above the others for me, but overall I can say I'm glad I watched all of these. I kind of hate ranking things precisely, so below is sort of my order of overall preference. But really who cares what I think? I guess we'll see what the Academy thinks a few hours after I post this!
Although I still occasionally write a longer review, most of my book reviews have been shorter as of late. I'm not sure why. Maybe I'm just appreciating brevity these days, so on that note, on to the reviews of books I've read in the last month or so!
I loved Tchaikovsky's Children of Time, which is some of the most interesting science fiction I've read in recent years. I found this sequel, Children of Ruin, a bit harder to follow, but it's mainly because there's just so much going on it was easy for me to forget who's who and what was happening (maybe this one is written too much in octopus mode for my mere human intellect!). Still, I loved this book. I only rate it slightly lower in comparison to the first.
I loved the first book in this series: A Memory Called Empire. It grabbed me right away and carried me through until the end. This sequel, not as much. Maybe that "new universe smell" has worn off. Maybe I had forgotten too many details to get invested in the political intrigue, or maybe the interesting stuff doesn't really get going until about halfway through. Still, once A Desolation Called Peace does get interesting, it gets really, really interesting and expands some of the philosophical themes of the first one. So I recommend it to fans of the first one. In fact, you might benefit from reading this soon after reading the first one, rather than two years later like I did.
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| My book with a Starfleet Academy mug: both seeking the final frontier? |