Thursday, July 24, 2025

2025 Hugo Ballot

 


I meant to post a bunch of reviews along the way as I did this year's Hugo reading, but the summer sort of got in the way. Oh, well. I still may write longer reviews for some of these and post them here (I did get to some of the novels in June), but since Hugo voting was due last night, I figured I'd just post my full ballot with a few general explanations while it's fresh in my mind. You can find short reviews for most of these on my 2025 Hugo Goodreads shelf.

Note that I didn't vote in all the categories. It's just too much (it's like taking on a part-time job!), and I don't feel all that qualified to judge some of the categories. Still, I managed to vote in most of the categories this year. See the Hugo website for the full list of categories and nominees.

As usual, I'm loosely following my principles of Hugo voting that I'm most interested in works that somehow break new ground in the genre, have some philosophical element, and/or are just plain enjoyable. Maybe other Hugo voters go on vibes, which are impossible to entirely eliminate, but I try reward things that are on the whole doing something new and interesting.

I'm thrilled to be attending Worldcon this year where I'll be on a panel and doing an academic track presentation as part of the Science Fiction and Philosophy Society. Maybe I will see you in Seattle at this year's Hugo ceremony on August 16!

Wednesday, June 25, 2025

2025 Hugo Novels, Part 1: The Ministry of Time by Kaliane Bradley, Service Model by Adrian Tchaikovsky, and A Sorceress Comes to Call by T. Kingfisher


It's that time of year again: I'm reading the Hugo nominees! This year I'm lucky to be once again attending Worldcon (this year in Seattle), so I will not only be voting, but I plan to attend the ceremony in person.

As has become tradition, I've waited way too long to get started, but the good news is that I'm halfway through the novels. So, here's what I thought so far about The Ministry of Time by Kaliane Bradley, Service Model by Adrian Tchaikovsky, and A Sorceress Comes to Call by T. Kingfisher. I will review the other three novels soon in Part 2, and, of course, there are novellas and many more categories as well. Stay tuned!

Monday, June 9, 2025

Floating in the Dream-Sea: The Great and Secret Show by Clive Barker

 


I first read Clive Barker's The Great and Secret Show about 30 years ago. It always stuck with me. Not so much specific plot points or even all the major characters, but certain ideas, scenes, and turns of phrase. I'm glad I decided to read this again. I loved it every bit as much, if not more, than I did the first time.

Like much of Barker's work, this might properly be called dark fantasy rather than horror, per se, although there are plenty of horror elements. 

It's also, as the introduction to this edition informs us, a result of Barker's engagements with philosophy. As an academic philosopher, I was amused by Barker's distain for "philosophical equations" encountered in university philosophy courses (a fair criticism of much of what we in the biz call analytic philosophy). Instead, Barker has been intrigued by Big Questions about belief, imagination, and mind--a point which makes a lot of sense of his work, especially when you combine it with some Lovecraftian sensibilities and Barker's own gnarly imagination.

And when it comes to The Great and Secret Show in particular, Barker tells us that Carl Jung was a major inspiration. The idea of a collective unconscious is too fertile for artists and storytellers like Barker to pass up, and I can see why, especially when Barker creates something as interesting as the concept of the dream-sea of Quiddity as his own riff on Jungian ideas.

But maybe I'm getting ahead of myself. What about the plot?

We meet a man named Jaffe who works in a dead letter office in Omaha, Nebraska in 1969. He begins reading letters about something called the Art, a secret, more real world beyond our own, and a sea of imagination and dreams called Quiddity. He embarks on a quest to control this other realm for himself (first step: murder his boss). This part of the novel goes a bit quickly, but somehow Barker makes it work as Jaffe goes from miserable postal employee to megalomaniacal murderer in a few dozen pages.

But the real story picks up a few years later in town of Palomo Grove, California. Jaffe and an antagonist of sorts called Fletcher become something more than human, and draw the town into their machinations, which result, in complicated Barker dark fantasy fashion, in the birth of several babies with both human and nonhuman fathers.

Okay, the story really picks up 18 years later with the babies now young adults. And Jaffe and Fletcher are still around, but also not exactly human.

Things get, um, complicated from there. But every twist and turn along the way is worth the journey. We meet a washed-up Hollywood comedian. A journalist and his friend named Tesla, both of whom become vital to the story later, as are some of those 18 year olds (Tesla in particular is an awesome character). There's also an ape-human hybrid, a wizard residing in a pocket dimension, and a character from other Barker stories who shows up briefly in this one and (if I remember correctly) much more in the sequel, Everville (which I also plan to re-read). And eventually there are horrors from beyond...

And yes, this is Clive Barker, so there's plenty of gnarly violence and kinky sex (and plenty of gnarly sex and kinky violence).

I don't know if I could summarize the whole plot here if I wanted to, which gets complicated and involves a lot of surprises, but my recommendation is to enjoy floating on the currents in Barker's dream-sea.

But what about Quiddity? It's a beautiful and deep idea. Definitely one I remembered for the last few decades. It's Barker's riff on Jungian ideas, with his own special touches. Particularly beautiful is the idea that all humans swim in the dream-seas of Quiddity three times in their lives: once at birth, once when they sleep next to the love of their life, and again before death. It's the source of love and life and creation for human beings (and not just human beings).

It's also dangerous, at least in the hands of those who want to control it rather than be shaped and invigorated by it. I love this way of thinking through the deep mystery of the human creative process: what are we doing when we create art and stories? How is creativity tied to love and hope and meaning? Are there worlds beyond that which we can see and hear and touch? Are those worlds more real than we know? How would we know?

Reading this again makes me wonder if Barker was one of the authors that made me think the kinds of thoughts that led me to study philosophy. I'm glad he turned away from academia and became, well, Clive Barker. But I'm also grateful that he's still enough of a philosopher to write beautiful, deep, and complicated works like The Great and Secret Show. Barker may also have explored a form of philosophical idealism somewhat similar to Kashmiri Shaivism in classical Indian philosophy (all is mind, and mind is a type of creativity).

Like Quiddity itself, however, The Great and Secret Show is vaster than I can summarize here. My advice: take the plunge for yourself.


See also my Goodreads review.

Sunday, June 8, 2025

Double Review: The Long Earth by Terry Pratchett and Stephen Baxter/The Orphaned Worlds by Michael Cobley


I have gotten behind on my reviews again. D'oh! Part of the blame is a trip I took last month, a trip on which I read these two books! So, maybe this is a good excuse for a double review post for The Long Earth by Terry Pratchett and Stephen Baxter and The Orphaned Worlds by Michael Cobley.

Meanwhile, my annual reading of the Hugo finalists has begun, so look for those reviews soon! (I also will be at Worldcon again this year!)

Sunday, May 4, 2025

Review of Reviews, May 2025: Andor, Sinners, and Books by Okorafor, Maas, King, Harvey, Hannah-Jones, Pargin, and Stanley

 


I have gotten behind on posting book reviews lately (I did get one last month), so I thought I should get around to that now that the spring semester is over and grades are entered.

And today just happens to be May the 4th, aka Star Wars Day (as observed recently based on the pun on the date), so I figured I would add a little bit about the latest season of the Star Wars show, Andor. Also, like many other people, I saw and had a lot of thoughts about Ryan Coogler's Sinners.

Books reviewed here: She Who Knows by Nnedi Okorafor, A Court of Thorns and Roses by Sarah J. Maas, The Waste Lands by Stephen King, The 1619 Project, edited by Nikole Hannh-Jones, Orbital by Samantha Harvey, John Dies at The End by Jason Pargin, and How Fascism Works by Jason Stanley.

There is also a super secret Star Wars day review hidden in here...

Let the reviews commence!

Sunday, April 27, 2025

Random Thoughts, Part 27: Trump 2.0, Sci-Fi AI vs. Real AI, Black Cats, Satanic Panic, Musical Time-Slippage, Conceptual Constructions of Politics, Sinners, etc.

 



My random thoughts continue, now with 27 parts with 801 total thoughts! With the second Trump administration driving us full-bore into making America less great several times every single goddamn day, I've had a lot of politics on my mind lately. And there are continuing issues about AI. I worry my random thoughts are not so random these days. But randomness doesn't rule out clusters of similar ideas. And you'll still find a few other things in there about my dental habits, listening to Nirvana, the Satanic Panic, the film Sinners, cats, and more. And of course, there are memes! Enjoy!


Wednesday, April 16, 2025

Expanding the Essence of Fantasy: Mirrored Heavens by Rebecca Roanhorse

 


It took me a bit to get back into this story of Roanhorse's Beneath Earth and Sky series and to remember who’s who, but once I did, it was engaging and I still love this world as explored in this third and final (?) volume of the series. (See my thoughts on volume one here and volume two here).

Roanhorse continues a great exercise in "fantasy doesn't have to be based on European history and folklore." And I'm here for that 100%. I really love this fantasy inspired by the Americas. I love Tolkien, but fantasy can be so much more than "vaguely Tolkienesque," and Roanhorse is doing some of the best work in that direction.